They’re purple, magenta, creamy white and yellow, opaque and translucent. They come in a surprising array of colors, even though the naked eye might only see sparkly white. Yes, we’re talking about trichomes, the part of the pot plant where the cannabinoids and terpenes reside, which is responsible for making frosty nugs sparkle like dank little diamonds. Seeing them up close is like peering into an alien world you never knew existed. But this is not some radical DMT trip. This is photographer Shwale’s trichome collection and it is astounding.
Macro photography has captured close-ups of cannabis trichomes for decades. But the images created by professional pot photographer Kale Worden – better known as Shwale – are stunning. He’s captured two-headed trichomes before even three-headed ones. He’s shot some that tower and then lean forward under the weight of their own bulbous heads. And he manages to capture their sparkling essence in a way that deserves high praise.
One double-headed trichome that shares the body of a purple stalk looks like some underwater alien life form you’d see on “Blue Planet,” with conjoined bulbs for eyes that are not too dissimilar from the Cookie Monster — but actually on Cookies. From pink and purple stalks with creamy heads (or glands) to bright magenta trichomes protruding from green stalks and even multiple colors on a single trichome, Shwale’s photography produces some of the most fascinating images we’ve seen.
Some of the most interesting photos in his repertoire include a creamy white trichome with burgundy racing stripes down either side that Shwale found on a Black Cherry Soda plant. One particularly eerie and mysterious shot features what appears to be a little alien trichome family, with two parents looking down lovingly on two conjoined twin trichomes. “I’ve seen a few weird things,” he says. “Once I thought I could see a skull in a gland… but that was more like cloud-gazing.”
But the colors are far more concrete. According to Shwale, “Most trichomes start clear, then the glands turn ‘milky’ (gray), afterwards amber, [and] finally into dark red glands as time progresses. Purples, magentas and reds are actually quite common in the trichome stalks and glands of similar colored flowers. It’s actually odd if a purple plant doesn’t have a few purple trichomes.”
Inspired by Jason King’s “The Cannabible,” and having a lifelong interest in photography thanks to his professional photographer father, Shwale developed a love for cannabis and film early on.
“I would actually sneak away with my dad’s expensive camera to similarly document the various ‘dank kind’ I was smoking in high school,” he says.
Getting shots that are so up close and personal is no easy feat, and can take several days and many long hours to achieve. For just one shot, Shwale, who mostly sources his material in-house from Denver’s Farmhouse Studio garden, must sometimes shoot 200-300 photos over several days, then layer (or “stack”) them to get the clear and up-close end result.
As Shwale explains it, “The concept of photo stacking stems from macro photography’s short depth of focus. Simply put, macro photos allow for only a small portion of the photo to be in focus. To work around that, we move the camera’s position very slightly several times. Each time we take a photo it shows a new section of the subject in focus.”
And it’s just as incredibly tedious as it sounds. “Sometimes I’ll retake a shot over several days to get it right. Then we have hundreds of photos of one subject that need to be digitally stitched together, ” a process that can take anywhere from an hour up to several days. Editing the final photo adds another hour at minimum.
“Yes,” Shwale confesses. “All of that for just one image of cannabis.
But Shwale doesn’t just shoot cannabis trichomes. He’s also shot stunning trichome images from other plants, including a fuchsia trichome on a long-stem rose and striking opaque trichs with magenta heads on a hazelnut bush.
Currently, Shwale uses a Canon 6D body, “usually with the MP-E 65mm lens for extreme macros; sometimes a 100mm macro for wider cola shots.” As for flashes, he says, “The more flashes, the better.” He uses a 150-watt studio strobe and a macro twin flash. “A StackShot automated focusing rail is essential for large stacks,” he says. Finally, he employs a Manfrotto tripod for stability and says “concrete floors help with vibrations.
For the hours and hours he pours into creating just one photograph, what exactly makes it all worth it?
“A glimpse into the unseen,” Shwale says. “Today’s macro photography gives us a brand new view of the tiny world around us and the technology keeps getting better.
And so does our understanding of the cannabis plant, enhanced as it is by peering into the secret and alien world of trichomes.
Originally published in Issue 31 of Cannabis Now. LEARN MORE
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